@inbook{86a90c53278d4e50aa9858f47257d4c5,
title = "Apocalyptic Urban Future: Atomic Cities and Cinema",
abstract = "In August 1945, the atomic bombings of Hiroshima and Nagasaki caused the death of about 200,000 people. Atomic warfare, if anything, made the warfare an urban phenomenon. The long-lasting lack of documentary footage of the atomic bombings opened the way for apocalyptic imagination. Cities were constantly attacked by radiation-born monsters, such as giant ants, as a sign of mutilated nature{\textquoteright}s revenge. American science fiction films of the 1950s addressed contradictions of modern science by transforming the abstract scenarios of total annihilation into cinematic images of destroyed cities, hideous aliens, and post-apocalyptic survival. The “nuclear monster” movies started a completely new genre in the history of film, eco-horror, which opened the eyes of the general public to the possible futures of Western civilization.",
author = "Kimmo Ahonen and Simo Laakkonen and Tsutsui, \{William M.\}",
year = "2019",
month = may,
day = "29",
doi = "10.1007/978-3-030-17439-2\_13",
language = "English",
isbn = "978-3-030-17438-5",
series = "Palgrave Studies in World Environmental History",
publisher = "Palgrave Macmillan",
pages = "259--278",
editor = "Simo Laakkonen and McNeill, \{J. R. \} and \{Tucker \}, \{Richard P. \} and Vuorisalo, \{Timo \}",
booktitle = "The Resilient City in World War II",
}