Abstract
With the increasing proliferation of the internet, audience-authored online paratexts continue to gain significance in culture and in the communicative structures of narrative texts. This article takes a critical look at the ways in which Gérard Genette’s concept of paratext (1987) has been used in contemporary scholarship. The article offers a model of online paratexts based on an interdisciplinary understanding of paratextuality and internet-age culture. Ways in which paratexts become legitimate in online environments are considered through the analysis of HBO’s popular TV series Game of Thrones (2011–2019). Legitimation extends from production-authored paratexts to audience-authored paratexts, reflecting changes in the relationship between authors and readers typical to contemporary culture. Finally, the article introduces the concept of paratextual reauthoring, which refers to the practice of canonizing alternative interpretations of texts via the use of online paratexts.
| Original language | English |
|---|---|
| Pages (from-to) | 35-55 |
| Number of pages | 21 |
| Journal | Frontiers of Narrative Studies |
| Volume | 10 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 15 Jul 2024 |
| Publication type | A1 Journal article-refereed |
Keywords
- paratexts
- online paratexts
- narratology
- authorial legitimation
- reauthoring
Publication forum classification
- Publication forum level 2
ASJC Scopus subject areas
- Literature and Literary Theory