Common fate models for unison source separation

Fabian-Robert Stöter, Antoine Liutkus, Roland Badeau, Paul Magron, Bernd Edler

Research output: Chapter in Book/Report/Conference proceedingConference contributionScientificpeer-review

25 Citations (Scopus)

Abstract

In this paper we present a novel source separation method aiming to overcome the difficulty of modelling non-stationary signals. The method can be applied to mixtures of musical instruments with frequency and/or amplitude modulation, e.g. typically caused by vi-brato. It is based on a signal representation that divides the complex spectrogram into a grid of patches of arbitrary size. These complex patches are then processed by a two-dimensional discrete Fourier transform, forming a tensor representation which reveals spectral and temporal modulation textures. Our representation can be seen as an alternative to modulation transforms computed on magnitude spectrograms. An adapted factorization model allows to decompose different time-varying harmonic sources based on their particular common modulation profile: hence the name Common Fate Model. The method is evaluated on musical instrument mixtures playing the same fundamental frequency (unison), showing improvement over other state-of-the-art methods.
Original languageEnglish
Title of host publicationInternational Conference on Acoustics, Speech and Signal Processing
DOIs
Publication statusPublished - Mar 2016
Externally publishedYes
Publication typeA4 Article in conference proceedings
Event41st IEEE International Conference on Acoustics, Speech and Signal Processing, ICASSP 2016 - Shanghai, China
Duration: 20 Mar 201625 Mar 2016

Conference

Conference41st IEEE International Conference on Acoustics, Speech and Signal Processing, ICASSP 2016
Country/TerritoryChina
CityShanghai
Period20/03/1625/03/16

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