Abstract
SUPERUS as a contemporary urban design discourse explores the city (in this instance Tokyo and Hong Kong) as a fertile ground and rich seam in exploring themes developed out of the continuing project work of UClan/ VTC architectural studies programme.
The 6 themes of SuperTYPE SuperBOUND, SuperIMPOSE, SuperFLOW, SuperOccupy \& SuperFORM emerged from two varying urban territories of Hong Kong \& Tokyo. Field study work by a transnational students was carried out alongside workshops over a period of 10 days in Tokyo and Hong Kong, observing, cataloguing, abstracting and analyzing photographic narratives. The activities connected Hong Kong students with UK students in Tokyo to con-duct multidisciplinary field study observation \& research.
The 6 themed Typologies that emerged from this work can be seen as conditions in a field of inquiry -captured through narrative instruments such as photographs- and are discussed to show certain formal similarities in the con-structed urban context that we call here the terroir of the (un) obvious city. The comparative analysis of the work posits a new framework in understanding the new terroir of global cities as a methodological approach grounded in the everyday experiences within the global city and as a theoretical model about the global city that captures the identification of new typologies, as an emergent paradigm.
Student experiences were drawn-in and drawn-on to their lived experiences. In such a process it was necessary to un-pack the identities and easily identifiable typologies of the global city as a counter point to the unobvious and life of transient visitors and permanent residents. They omitted colour, scale and orientation to more easily elucidate notions of: form & shape; boundary & connection; type & category; flow & movement; occupation & authorship; together with impositions & interventions.
Once typologies and identities emerged from within the work, specific and pervasive phenomena caught in a formal language about the global cities also became evident which could be argued to representative a lived and real narrative of such global cities. Superus as an architectural artefact and ongoing urban discourse lays bare within the photo essay a valuable new theoretical and methodological approach to reframing existing paradigms connected with identity and Global cities.
The 6 themes of SuperTYPE SuperBOUND, SuperIMPOSE, SuperFLOW, SuperOccupy \& SuperFORM emerged from two varying urban territories of Hong Kong \& Tokyo. Field study work by a transnational students was carried out alongside workshops over a period of 10 days in Tokyo and Hong Kong, observing, cataloguing, abstracting and analyzing photographic narratives. The activities connected Hong Kong students with UK students in Tokyo to con-duct multidisciplinary field study observation \& research.
The 6 themed Typologies that emerged from this work can be seen as conditions in a field of inquiry -captured through narrative instruments such as photographs- and are discussed to show certain formal similarities in the con-structed urban context that we call here the terroir of the (un) obvious city. The comparative analysis of the work posits a new framework in understanding the new terroir of global cities as a methodological approach grounded in the everyday experiences within the global city and as a theoretical model about the global city that captures the identification of new typologies, as an emergent paradigm.
Student experiences were drawn-in and drawn-on to their lived experiences. In such a process it was necessary to un-pack the identities and easily identifiable typologies of the global city as a counter point to the unobvious and life of transient visitors and permanent residents. They omitted colour, scale and orientation to more easily elucidate notions of: form & shape; boundary & connection; type & category; flow & movement; occupation & authorship; together with impositions & interventions.
Once typologies and identities emerged from within the work, specific and pervasive phenomena caught in a formal language about the global cities also became evident which could be argued to representative a lived and real narrative of such global cities. Superus as an architectural artefact and ongoing urban discourse lays bare within the photo essay a valuable new theoretical and methodological approach to reframing existing paradigms connected with identity and Global cities.
| Original language | English |
|---|---|
| Title of host publication | The Global City. The Urban Condition as Pervasive Phenomenon |
| Subtitle of host publication | Images, Forms and Narrative from the Global CIty |
| Place of Publication | Turin |
| Chapter | F |
| Pages | 727-734 |
| Number of pages | 8 |
| Edition | 1 |
| ISBN (Electronic) | 978-88-31277-01-3 |
| Publication status | Published - 2021 |
| Externally published | Yes |
| Publication type | A3 Book chapter |